Comme des Garçons 2012 S/S
2012S/S ‘s inspiration is”Whitedrama”.Kawakubo designed a collection of white wedding dresses in completely dramatic ways. This design also includes the designer’s unique insights into married life and religion. She said “All of life ‘s drama in a white dress” White is a very important and special color for girls in marriage. It’s the best way to use the color in this collection. This collection uses lots of wedding dress fabric and lace. And Kawakubo uses lace in white flowers or the pointy-headed robes worn by church dignitaries during Seville’s Semana Santa. This way is also the most important point for this season collection
Comme des Garçons 2017Ready to wear
Rei Kawakubo of Comme des Garcons said, and she, to the contrary, showed off on the show circuit her biggest and best-wrapped collection ever. This time, the designer did not use the silhouette of the female body to show his inspiration with a huge silhouette, but the surprise is that such a huge silhouette still shows the strong character of women to everyone. Kawakubo has referenced many sculptures for her inspiration this time. A naive schoolgirl dress with a Peter pan round lapel is embedded in a large cotton pad. Her fondness for tartan is reflected in the huge kilt; Her preference for black and white dots is evident in a large coat. The collection also features bright red, patent leather and ruffles, perhaps to echo her “sexy” season.
Comme des Garçons Spring 2016 Ready to Wear
Kawakubo takes inspiration from the traditional recreation scene of hunting and USES animal fur to continue the dramatic and exaggerated appearance in the past. All the Comme des Garcons works are the symbol of artwork and the expansion of the black feathers red hair contrasts sharply with the head, cascade, fold, and bandages are particularly large, like an ostrich fixed on burning straw to you came along and gloom is full of drama. She never easily lets you understand the inspiration behind her design, but when you understand, how amazing she is.
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